wtorek, 22 sierpnia 2023

A review of Farscape "Purged and Forgotten"

 

Farscape

"Purged and Forgotten"

Dying Victims Prod. 2023

What do you associate Brazil with? Just for quick reference. Well, of course... Sarcofago, early Sepultura and Jesus of Rio. So seeing the above cover with Shreck, you certainly wouldn't guess that Brazil is where we're going today. And that's where Farscape comes from. A band unknown to me so far. Apparently I missed a bit, because "Purged and Forgotten" is already the fourth album by these gentlemen, so it's high time to check out what it is. On the album in question we get hit in the face seven times, and the fight lasts less than forty minutes. The quartet from, nomen omen, Rio, treats us with thrash music. And at this point, anyone familiar with the South American scene will think of the peculiar, raw atmosphere there. Well OK, some clue it is, but I will surprise you. Farscape are indeed based on inspirations coming from the Teutonic school, but they enrich their music with completely unpredictable and unconventional elements. Such are, for example, the more technical entrances or distorted vocals, somewhat reminiscent of early Cynic albums. In addition, at times Nocturnus keyboards appear in the background. which may seem a bit grotesque at first. Well, in order to deepen this grotesqueness I will say that the chords also sometimes allude to Browning's crew. Not enough for you? Well, listen to the acoustic ending that appears in the same "Miss Violence".Strongly surprising is this album. For seemingly its core is already solidly rusty, but the ornaments that the guys have woven into it completely change the perception of the whole. For seemingly most of it is indeed strongly predictable, but not a few of you will be surprised to find that the guard held against the attack will be outwitted by an unexpected punch. I've had that happen at least a few times. I like such tricks, especially since, in addition to the rather original treatments, the Brazilians have kept the sound of their album at an exemplarily old-school level. Let me tell you, in the overall summation, once a person has cooled down, I think this album can bring down walls. And the little icing on the cake is the "hidden track", which is a Living Death cover played at the end. An excellent album, seemingly classic and yet surprising. More, I want more of such!

- jesusatan

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